'Moonlight': A Retrospective on Barry Jenkins' Masterpiece
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.

Just out of prison, Tomáš, a taciturn loner, takes a job cleaning houses where people have recently died. Things take an alarming turn when he begins putting in overtime: hiding behind closet doors after hours to secretly watch the homes’ residents. His voyeuristic ways soon lead to a romantic obsession with a woman in distress—but in order to help her, Tomáš will have to come out of the shadows.
Barry Jenkins' masterpiece holds up as the story of a lifetime centered on the intersection of Blackness and gay identity.
At first glance, one wouldn't think John Carpenter's cult classic would be a thematic double-billing - or that Free Guy would be worthy of being mentioned in the same sentence as They Live - but the two films of vastly different genres have more similarities upon further examination.
Juno is extremely funny, very well-written, and contains great performances. The film is also about a very important topic, one that is extremely relevant now: women’s reproductive rights. Is this Oscar-winning film spreading a pro-life or pro-choice message to its audience?
Women have always been integral to science fiction, and these amazing women prove why.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
This is a Spanish-speaking short film that contains English subtitles. The short film is produced in the United States.