“Boy”
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.

When filmmaker Ian Cheney moves to New York City and discovers skies almost completely devoid of stars, a simple question – what do we lose, when we lose the night? – spawns a journey to America's brightest and darkest corners. Astronomers, cancer researchers, ecologists and philosophers provide glimpses of what is lost in the glare of city lights. Blending a humorous, searching tone with poetic footage of the night sky, what unravels is an introduction to the science of the dark, and an exploration of the human relationship to the stars.
Slip on your favorite dungarees and spend the day on the east coast of New Zealand before the 90s.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
A K-9 police dog goes undercover to stop an illegal animal smuggling ring and learns a valuable lesson along the way.
Much more than a meme, 'Barbenheimer' actually diversifies viewer bases and spreads the important message of both films wider than they otherwise would have!
As one of the women said in the film, friendship in your teens is “as important as any lover” and it’s clear they lived that philosophy throughout their early adult lives as well.