Monster (2023): When the Truth Is Not in the Telling but in the Seeing
Not every silence is empty. Some are filled with things too heavy for words.

The heart-wrenching story of The Citizen begins with a citizenship exam, where the examination committee rigorously questions a middle-aged African man. No matter how beautifully he recites Hungarian poetry, Wilson, a political refugee in his late fifties, fails the exams for the umpteenth time, because he doesn’t know where the periodical ‘Magyar Közlöny’ got its name from, and what the Corvinae are. Moreover, inspired by Vörösmarty’s poem, the committee chairman even questions his reasons for leaving his mother country. Wilson argues that his reasons include his fellow citizens cutting pregnant women in half, yet he doesn’t manage to soften the heart of the committee members.
Not every silence is empty. Some are filled with things too heavy for words.
While Peter’s heroics might have been a bit unrealistic at times due to his lack of experience, I will always support the civilian taking down the establishment.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
Friendships are tested when two girls have a crush on the popular boy at school.