"A man has got to see his face." Horror Noire: A History of Black Horror
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.

Gritty action thriller about an aging assassin who is double crossed by his employer when he refuses to assassinate a woman he just met. On the run; Steele becomes the next target in this fast-paced battle, assassin vs. assassin, until he is surprised by a secret that changes everything he thought he knew. To complicate matters even more he begins to fall in love with his would-be target.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Attack of the Killer Tomatoes: Organic Intelligence is not merely the fourth sequel in a cult classic film about a delicious vegetable apocalypse: it’s a love letter to slapstick, sight gags, and the original 1978 film. It’s also a meta-comedy, spy-thriller parody taking place in a world where the original film series was a documentary about the horrors of the Tomato War that the government covered up by convincing everyone it was a comedy. Taking place in 2026, Organic Intelligence sees genetically modified tomatoes grown out of control and rising up to attack humanity again - luckily, Agent Maria Sifuentes (Myrna Velasco) of the Federal Vegetable Investigation Bureau is there to uncover the corporate conspiracy behind it, and she won’t take no for an answer.
Everything Everywhere All at Once is exactly as the title describes, yet unexpectedly so. It's like the Matrix, but with OCD and hallucinogens, plus a heart’s dose of mother-daughter intergenerational intercultural growing pains. Review and cast.
If you’ve been itching for a sign to finally go on that unforgettable summer camping trip, this is it.
'Reservation Dogs' is stacked with an array of Native American performers and crew telling their own story.
'The Lost Daughter' doesn't paint over the choices Leda and Nina make as mothers as right or wrong but examines the messy in-between.