In 'The Patient,' Patience Doesn't Really Pay Off
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.

Fashion salesman Amadeus flirts with the secretary when his wife Emma pays him an unexpected visit. She asks for a new coat. He gives her a checkered raincoat from his storage. At home she meets her friend Gritti, who is excited by the new garment. Emma lends it to her for a rendezvous with her fiancé. On his way home Amadeus spots Gritti leaving the house. Due to the coat he mistakes her for his wife and follows close behind. At the same time he is observed by Emma who begins her own pursuit. When Grittti enters a streetcar with her fiancé, Amadeus assumes deceit. He loses track of the couple and starts to make eyes at a young pedestrian. Emma is outraged and decides to move in with her mother, who suggests a divorce lawyer. Amadeus finds his home empty and calls the same lawyer. A meeting with the married couple is arranged for the next morning.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
This may be controversial… but 'The Marvels' is actually one of the best movies in the MCU. 10 reasons why 'The Marvels' killed it.
This remake of the Disney Channel Original Movie of the same name brings a strong representative cast.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
In 1983, V first debuted as a mini-series. It chronicled the story of alien visitors who arrive on Earth in motherships; they look like us, they talk like us, and they say they are of peace
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.