Joe, the chauffeur to an unnamed South American embassy, enjoys the small prks of privilege that his job provides him. When a coup in the country results in the ambassador's recall, his halycon life is upended.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
It is not hard to make a musical biopic that pleases audiences and draws a profit. Michael is no exception.
Where we leave the characters is in such a peaceful and optimistic place. It feels well-earned to ensure everyone gets their own specially-crafted happy ending.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
'Kobra Auto Retrato' chronicles the inspiring journey of Kobra, a world-renowned Brazilian muralist and street artist.
If you enjoy Japanese cinema, absurdly violent action films, gangster flicks, or joyfully strange cinema, 'Why Don’t You Play in Hell?' is a must-see.
