
Since the dawn of cinema, sex workers have been portrayed (mostly negatively) by filmmakers. With equal parts historical overview, critique, and homage, this eye-opening film lets real-life dommes, escorts, porn stars and hustlers tell you which films they love and which they hate, which get it right and which miss the mark, and how perpetuating stereotypes in media affects real peoples' lives.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
So with the recent (rightful) public apologies to Britney from comedians and media for trashing her image in the 2000s, perhaps some people should also give Crossroads the fair chance it deserves. It won't be everyone's cup of tea, and that is fine. Personally, I will take my girl Britney and her movie, over the next testosterone "Dude Flick" any day.
Women have always been integral to science fiction, and these amazing women prove why.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.