Until he was 11, Detlef Kammrath (René Siodla) had a carefree childhood. But now his parents have decided to go their separate ways and divorce - a catastrophe for the boy. The court awards custody to his mother (Karin Schröder), but Detlef harshly rejects his mother's new partner (Gerd Grasse). He sees him as the person responsible for his unhappiness. Hoping to improve the family atmosphere, his mother forbids the boy from meeting his biological father; this leads to Detlef's absolute despair, and he becomes a "case" for child welfare services.
Steven Soderbergh’s Contagion is a fan-favorite, as are some of the more science fiction angled movies like 28 Days Later or World War Z. I recently watched the 1995 Wolfgang Peterson-directed movie, Outbreak for the first time, which is currently available on Netflix.
My review’s title is a nod to Shakespeare and is entirely deliberate. The original movie portrayed the high-end fashion world as a brutal arena of plotting, backstabbing, and betrayal, and most Shakespeare’s plays depend on these plot devices. The Devil Wears Prada 2 uses the same formula, and is, plot-wise, almost identical. Once again, we plunge into the cutthroat world of Runway, where to get and stay at the top, you must let go of your principles and moral sense. The only thing different is that due to the digital era, Runway is not a print magazine anymore, but one that is running online.
Our protagonists perform as the opposite gender while still preserving the parts of their personalities that makes themselves who they are.
Disclosure Day asks us to question humanity's role in the universe but falls victim to the same assumptions of centrality.
Even without the messaging, Mercy does not hold up as a movie. It's sloppily done and the mystery doesn’t tie together at the end.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
