The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

Max and Anna go on a sailing trip to Croatia. But what seems like wonderful vacation at first, soon turns out to be a struggle between love and death, that forces Max into a terrible sacrifice.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
A family adventure film that features Hawaiian culture with a representative director and a diverse cast.
The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.
At first glance, Black as Night is a strange title choice for a film about vampirism in post-Katrina New Orleans. However, the title alludes to the world's anti-black and colorist messages.
A Japanese anime movie that brings survival, adventure, and friendship to the big screen.