Swept Away by You, Me, and Tuscany
A Black woman centered in a box office rom-com with a happy ending and no struggle love.

A hungover plane captain wakes up to discover he's done a very bad thing.
A Black woman centered in a box office rom-com with a happy ending and no struggle love.
Slumber Party Massacre is a gory film with just enough commentary on sexist excuses, the validity of women's voices, and the inherent feminism of the slasher.
"The Old Guard" doesn't break ground, but it sure does bust boredom and fictional heads as an entertaining action romp on Netflix.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
The film is a powerful narrative encompassing a theme that many people can identify with.
The Lego Movie achieves great humor and story with a combination of childish comedy, adult references, irony, and by subverting popular movie tropes.