Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.
Written and directed by Eva Victor, who also plays Agnes, the main character, Sorry, Baby is slow and artsy, but extremely effective. It shows how the trauma developed after a sexual assault has a ripple effect and loudly echoes in the victim and her life for years after.
The Force Awakens is A New Hope 2.0, in essence. The story structure is virtually unchanged, marking a safe opening to the new trilogy.
After years of mediocrity, Thunderbolts* is the welcome change MCU fans were waiting for.
This anti-love young adult movie includes mature topics and dialogue.
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Over the last several years, I have had the privilege of being one of the critics having the opportunity to watch and review several films from writer/director/producer Marcellus Cox, whose efforts are never anything less but grounded, relevant, and steeped in unflinching glimpses illustrating the gripping, inspired, and ever-vacillating realms that make up the human condition.
