Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Nelson Holmes, a black man posing as a white man, had advanced from office boy to general manager.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
We have a long way to go with LGBT representation in film, especially when it comes to LGBT characters of color and trans characters.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.