No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

A soundless film starts in a studio: an artist sits, a nude stands; a page burns, paper cutouts appear, images are distorted. The artist removes his eye; it falls from his hand, seeing images spin as it rolls. A man falls, objects in the studio falls on him, he's not the artist. A woman gets help from a man in a lab coat; he and the man on the floor fight over a shotgun. Outside, in the city, people and cars move backwards. On the street, those from the studio chase a woman who's stolen leeks. In the backward cityscape, they move forward. They run toward a seaside amusement park. The artist follows, his head in a bird cage. He ends up with the woman who went for help; or does he?
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Wilde’s coming-of-age comedy directorial debut is simultaneously hilarious and entertaining, and remarkably heartfelt and relatable.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
Netflix's Afterlife of the Party might fall into the rom-com genre, but it's much more about grief, strong female friendships, and platonic love than it is about romance.