Incluvie Classics: Strong Women and Gender Expression in Alfred Hitchcock's “Psycho.”
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.

Determined to build a new life for himself, a young man returns home to find work and a place to live and struggles to not fall back in with his old crowd.
Alfred Hitchcock’s 1960 film "Pyscho" is an American film classic that still resonates today.
Unfortunately, People We Meet on Vacation didn’t hold up quite as well as I’d hoped.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
A film about family and sacrifice... and carnivorous locusts coming after you.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.