A Man Who Indeed is 'Rescued By Ruby'
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.

Winter of 1943. Andorra, a small country in the Pyrenees. In the tense calm of a borderland, where echoes of a nearby war reach the ears of the local inhabitants, Antonio and Sara, a young, married couple, are expecting their first child. No one knows exactly what is going on, nor what is being fought over, the priority is just to survive another day. When a family of Jews fleeing Nazi persecution arrives in the valley, the locals will find their lives disrupted and filled with a sense of fear and unease. Sara will have to face her own contradictions and decide whether to follow her head... or her conscience. The past, along with all the secrets that have remained buried under the snow for so many years, are about to surface. The burning cold has reached the mountains.
Another story focuses on the bond between a young man and a shelter dog in this Netflix drama film.
“And I think to myself….what a wonderful world”. Louis Armstrong sang about this notion via his classic 1967 song, an ode to witnessing elements of our life that should be but some reminders of exactly what that concluding line of each verse indicates. Now we see our contemporary realities and, just being honest, it makes a sentiment like this seem SO overtly far away….perhaps even impossible….to accept or believe could be. It sounds harsh, but again, so much of what is occurring speaks not to beauty, but bedlam.
Tarantino's alternative history of the 1960's uncritically repeats the era's sexist and racist stereotypes.
Netflix’s new comedy drama, Don’t Say Good Luck, is a heartwarming tearjerker as well as a love letter to the transformative power of being a theater kid. Directed by Julia Hart, Don’t Say Good Luck follows Sophie (Sunny Sandler), a theater kid who finally gets the lead role in her school’s production of Waitress - just as she finds out her mom Elizabeth (Melanie Lynskey) is dying of cancer. While the singing is by no means spectacular and Sandler’s acting is stiff, the film is grounded in the moving performance of Lynskey as a mother who wants nothing more than for her daughter to achieve her dreams, even if she can’t be there to see them.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.
An enchanted school for young heroes and villains brings the battle between good and evil in this fantasy movie.