'Luther: The Fallen Sun', Idris Elba’s Netflix Vehicle, Fails to Make the Point
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

The year is 1961. Jackie Bumbry has a black eye. Her house is full of police officers. Her husband, Terry, is being spoken to in the other room. A family counselor is brought in to speak with Jackie about her relationship with her husband - and how she is white and he is black. But all Mrs. Bumbry wants to talk about is the strange lights she and her husband saw last night.
By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.
A Christmas movie that is not about a middle-class, straight relationship but centers on a lesbian couple.
At its heart, it’s a fond tribute to an influential artist and thus one that can speak to everyone’s inner artist, even if it lacks the sincere commentary you may wish to see.
Although Christmas is a time of year for love and cheer for all, holiday cinema has not always represented diverse communities. Being a holiday with Christian origins, much of its media consists of straight white families or straight white romances. Luckily, modern years have been bringing with them plenty of POC and LGBTQ+ representation that the holidays so desperately need.
The venn diagram of pop feminism and white-centered feminism is a circle. Acknowledging that is not a crime nor a diminishing of 'Barbie', Director Gerwig, or feminism in general.
The cultural insensitivity of 'Slumberland' is discreet, and can be easily overlooked in CGI extravaganza.