Ang Lee's 'Hulk': Bruce Banner's Inner Demon
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.

Ryan, a well-intentioned, young police officer with a troubled past, is just out of training when a Senior Officer singles him out as a perfect candidate for an undercover sting. Ryan is transformed into Max, a young criminal with a force-ten temper who infiltrates a notorious gang of bank robbers, headed by the enigmatic and elusive master-thief known only as "The Monopoly Man". Struggling with his identity, Ryan is drawn closer to the gang and finds himself crossing the line to the point of no return as he takes part in their biggest heist yet. When the gang are caught and locked together in a cell, with rumours of a "snitch" in their midst, Ryan must maintain his criminal persona just to stay alive.
When science, Bruce Banner is exposed to gamma radiation from his experiment, he transforms into a gigantic green monster when he gets angry and wreaks havoc wherever he goes.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
"The Haunting of Hill House" isn't your typical horror story. Based on a novel by Shirley Jackson, Netflix's masterpiece and limited horror series takes you on a emotional rollercoaster ride, by turning our perception of mental illness on its head. It's an unforgettable story about a loveable family, who grapples with tragedy and love after living at the foreboding Hill House.
I have been a long-time fan of the Marvel Cinematic Universe ever since it made its official debut through 2008's absolutely excellent "Iron Man". The run continued, as did my associated fandom of the films, through the utterly EPIC 2019 finale "Avengers: Endgame".
'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).