Pain and Glory: Great for Spain and Story…
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.

Henry Everett is confined to an insane asylum when he refuses to sacrifice his invention to a powerful rubber trust. Richard Trevor, the son of trust magnate Silas Trevor, becomes involved with Henry and his sister Edith, when he mistakenly picks up a baggage claim check meant for the detective Edith has hired to help her brother. After a series of daring adventures, Richard, acting as the detective, secures freedom and financial recompense for Henry, and the affections of Edith for himself.
The newest Pedro Almodóvar movie, Pain and Glory, focuses on an aging and debilitated filmmaker, Salvador Mallo (played by Antonio Banderas) reflecting on his life in his old age.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year.
We are incredibly blessed that this movie is available for us to see, and we should take advantage of the opportunity we’ve been given.
Netflix’s new rom-com, Voicemails for Isabelle (dir. Leah McKendrick), isn’t just heartwarming, funny, and an achievement in female directing - it’s also an instant classic. Following 20-something aspiring baker Jill (Zoey Deutch), Voicemails for Isabelle tells a story of grief, self-discovery, and fateful connections. Ever since her beloved sister Izzy’s (Ciara Bravo) death, Jill has been leaving her hilarious, extremely TMI voicemails about her chaotic love life and miserable day job as a prep cook. Little does she know that a handsome and unsatisfied real estate agent in her hometown has inherited the number and practically fallen in love with her by listening to her stories.
In all actuality, “Just Mercy” should be labeled a “wall punching narrative.” Constantly, the flick throws high forms of adversity our way, amping up our most inner levels of discomfort. Filmmaker Destin Daniel Cretton wonderfully paces the film in such a way that replicates the slow-burn nature of justice.