THE BOY WHO COULDN’T SLEEP AND NEVER HAD TO is a coming-of-age sci-fi adventure in the tradition of “Back To The Future,” with classic teen-movie themes like friendship, first love, and betrayal playing out on a superhuman scale. Darren, a high school outcast whose only refuge is his homemade comic book, gets launched into an adventure way cooler than anything he could dream up when he discovers his best friend has no biological need for sleep and can bring their dreams into reality. Composed of equal parts action, humour, and heart, this story of a comic book fan who finds himself in a real-life superhero movie will make audiences believe that anything is possible.
“The most disrespected person in America is the Black Woman/the most unprotected person in America is the Black Woman,” Director Spivey Jr quotes. The quotes are absolutely true. Misogynoir is a devastating social ill that is not given the weight it is due.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
“Candyman ain't a 'he.’ Candyman is the whole damn hive." Candyman represents all Black victims of white supremacy, and this art form narratively conveys it in a succinct, adulatory way, the history of which is rare to find.
Bollywood's thrilling fusion of what the blind man saw and the boy who cried wolf.
Disney has long since had a reputation for creating underwhelming sequels. Is Zootopia 2 any different?
