In 2010, at the peak of the Saudi YouTube movement, high school senior Husam finds himself drawn into the world of video production. He’s joined in his pursuit by his best friend Maan, their one-time foe Ibrahim, and Orabi a teacher with a passion for filmmaking. In the middle of their senior year, they set out to produce a no-budget horror movie – a wild adventure that will put their futures at risk.
Seriously, and this is coming from someone who was extremely skeptical before giving it a watch. I assumed the show would be painfully boring, but one of the show's strongest qualities is you needn't know anything about the lore to get invested in it.
A Girl Walks Home Alone At Night, though its feminism may be unintentional, cannot exist without its focus on women reclaiming power. The movie is feminist by definition, even if Amirpour didn’t write it with that in mind. A Girl Walks Home Alone At Night is mesmerizing, poetic, and stunning, both for its portrayal of feminist ideas and its powerful story that is both horrific and subtly romantic at once.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
Those saying it's a bad movie simply because it's bad as a slasher should be reminded that the likes of Jordan and Alexandra often don’t get their tales told, let alone in such major releases helmed by veteran actors like Bacon.
What happens to an inseparable bond when love for competing morphs into competing for love?
Mirrorball is full of passion and love for the medium of cinema and is indeed a fitting love letter to La La Land.
