For one evening, the Bolshoi takes on a new challenge with audacity in The Cage by Jerome Robbins, Harald Lander’s Études and Alexei Ratmansky’s Russian Seasons.
Vincent Bataillon
Director
Anastasia Stashkevich
The Novice
Yanina Parienko
The Queen
Nikita Kapustin
First Intruder
Erick Swolkin
Second Intruder
Yulia Stepanova
Couple in Yellow
Vladislav Lantratov
Couple in Yellow
Ekaterina Krysanova
Couple in Red
Denis Savin
Couple in Red
Anna Nikulina
Couple in Green
Anton Savichev
Couple in Green
Anna Okuneva
Couple in Blue
I came across Urchin by chance and decided to watch it because of the title. It made me think of the spiky animal that lives at the bottom of the ocean, and the old Dickensian novels, where an urchin was an orphaned, homeless child in shaggy and dirty clothes.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
This is not a film, it’s a drop tower. A drop tower that you don’t get off of for the vast majority of its 106-minute runtime.
Andor is an origin story where each side will do whatever it takes.