Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

After being taken to a student film screening, a freshman in university begins to fall in love with the peer who took him there. One day, she asks him to help shoot a film of their own.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
CODA' is about a child of deaf adults torn between staying with her parents and her dreams of pursuing music. This film is a step forward for deaf representation and disability in movies despite negative messages about the burden of actors deaf deafness.
There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.
The film may be a thriller, but I wasn’t thrilled by it. If anything, I was bored and annoyed.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.