The Blood on Satan's Claw (1971)

The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.

A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.

I understood post-memory as passing down stories and images of one’s experiences that are not your own. For decades, rape has been depicted in cinema through a third-person perspective, leaving the viewer to observe rape; not to experience it.