A rag tag band of idiots on the verge of signing a recording contract is sandbagged by their lead singer, Chas Knopfler, into throwing the mother of all parties the night before they embark on a world tour. Eddie Mesmer, the rhythm guitarist, awakens to find his drummer, Toss Dunbar, hanging from a tree like a scarecrow, and the house completely destroyed. Eddie and Toss quickly realize that A: they can't remember anything and B: there's a dead guy in the pool. Now, they have to figure out what happened the night before or their Rock and Roll dream is over.
Trolls: World Tour doesn’t just pay lip service to diversity and inclusiveness. There is no white-washing of the voice actors. From the actual K-Pop group Red Velvet voicing the K-Pop Troll bounty hunters to Keenan Thompson playing the Tiny Diamond baby to Kunal Nayyar’s Guy Diamond, the cast includes more than just token minorities.
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
Fiction doesn't have to be the model for how our real-life pandemic plays out. Here's how we can avoid the dangers shown in "Contagion."
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
The French-born director Laure de Clermont-Tonnerre’s strategic choice to entrust the interpretation of a conventional, feminine character to a non-binary actor pays off: Corrin’s Lady Chatterley is awkward, edgy, and uninhibited at the same time.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
