The White Boy Saved Us All Again in Gladiator II
A direct fall into the white savior narrative

Life of inhabitants of a small fishing village of the caribbean , changes drastically after the apparition of a Black Virgin, which disallowed the skies to get dark, stopped the vandals from invaden town. After months of intense changes in the chaotic life of this fishing town, the inhabitants had to face the most cruel of changes in their lives.La vida de los habitantes de un pueblo pesquero del caribe, cambia drásticamente tras la aparición de una Virgen Negra, ésta no permitió que el cielo volviera a oscurecer, impidió que los vándalos invadieran el pueblo. Luego de meses de intensos cambios en la caótica vida de este pueblo pesquero, sus habitantes tuvieron que enfrentarse al más cruel de los cambios en sus vidas
A direct fall into the white savior narrative
A homeless girl faces depression and uncertainty during the holidays.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
My Beautiful Laundrette is often referenced as a positive LGBTQIA+ film because our two main characters are in a homosexual relationship with no shame, fear of violence or criticism. The struggle is not their sexuality. It is the treatment of the Pakistani citizens in England.
The film does not add anything to its own conversation or genre, and falls flat once it’s about to end and must declare some sort of conclusion.
If you want to feel the rush, you have to take the risk.