'Carol' Movie Review: A Gorgeous LGBTQ+ Romance
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.

Koichi is a gigolo who is paid by a madame to seduce and have sex with various women while she and her clients secretly watch. He doesn't like what he's doing, but he needs the money to take care of his seriously ill mother. One day he's given the assignment to seduce a pretty waitress and they wind up falling in love. Koichi tells his madame that is going to quit, but she has other plans for him.
The 1950s lesbian romance is stunning, emotional, restrained, and, simply put, one of the best movies I’ve ever seen depicting a woman-loving-woman (WLW) relationship.
A throwback to the last months of the 20th century in this comedy film.
Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.
Considering the runtime, I expected each scene to hit harder as opposed to a series of montages and vignettes.
This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.