The oriole sang on the branch. As soon as the song ended, there was applause. It happily picked a big red flower, and took it to thank the two little bears who applauded it——Little Black and Little Brown. But the two little bears are vying to say that they clapped first. There is only one safflower, and the oriole does not know whom to give it to.
Netflix’s new mystery thriller, The Marked Woman (released originally as La Desconocida), is confusing. More critically, though, it commits the worst mistake a movie can make: it’s boring. From Spanish director Gabe Ibáñez, the film squanders its premise at every turn, fills the story with unlikeable characters, and lacks emotional payoff.
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
A refreshing twist is that all the kids’ powers are…kind of useless. There’s a kid who can only move in slow motion, a kid who has every power in the world but can only use them randomly, and our main character Missy who has no powers at all. The thesis of the film seems to be that it doesn’t matter what kind of powers you have, its the way you use them, which is good for the warm and fuzzies.
A film about family and sacrifice... and carnivorous locusts coming after you.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Mahershala Ali and Naomie Harris, with an economy of language, but a world of expression, weave us inside this futuristic tale of how your “one true love” may exist in the future in Benjamin Cleary's 'Swan Song.'
