The Skeleton In The Closet: 8 LGBTQ+ Horror Films Claiming The Genre
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.

Friends of different generations, practicing different professions, spend together their summer holidays at the seaside every year. It is sunny; they look carefree and happy. They know each other very well, they are used to each other. To such an extent, that bore becomes inevitable. It is boredom that incites them to play a dangerous game. The end is dramatic: a young boy gets killed. It is the moment to draw the bottom line. The question is: Isn't the death of the spirit worse than of the body?
When you think of the horror genre, the LGBTQ+ community is probably one of the last things you think of. However, horror is much more queer-coded than you may think.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
It surely isn't for everybody and could certainly offend some folks, but Troll Hunter takes a different approach to representing religion in a film.
The Resort has an excellent climax surrounded by disappointments. Somehow, at a mere 75 minutes, this movie still manages to be 70 minutes too long.
The second episode of the highly anticipated Afrofuturism series delivers with a high-speed race teaching us to go far beyond just accepting ourselves.
In Saudi Arabia, a little girl (Wadjda) is told she can't have a bike because she's a girl. Wadjda struggles to obtain a bicycle to race her friend, Abdullah, due to the gender inequality and cultural norms of Saudi Arabia.