Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

A wandering man drifts through La Plata's train station, becoming a lens through which we experience various scenes and moments from the Argentine city's daily life.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.
Dracula evolved from a person to a monster and then from a monster to a person.
In season 3 of 'Umbrella Academy', Diego, Allison, and Viktor finally get character arcs that address their unique experiences as a Latino man, a Black woman who lived through the 60s, and a trans man.
Many call 'Tragedy Girls' a modern-day 'Heathers', and I do see the resemblance. The film asks the same question that all teenagers suffer with: who am I? Well, the movie answers this — you are your online presence.