Although their characters and temperaments couldn't be less alike, 19-year olds Wei and Jie are best friends. They're also neighbours, living with widower fathers and problem siblings in the suburbs of Taipei. When Wei is promoted from the rank of nightclub parking valet to the rank of debt-collector in Brother Gu's gang, he persuades his boss to hire Jie to work alongside him. Things begin to go wrong when they are given a handgun to reward their success in the new job. Always excitable and volatile, Jie becomes reckless and dangerous when he has the gun in his hand. When they try to collect a debt from the boss of a rival gang, a fight erupts and Jie shoots the gang-boss. The boys find themselves on the run. But fate and their youthful dreams still have tricks to play.
James Cameron’s The Terminator (1984) marks the beginning of a wonderful two-part arc, brimming with style and substance. The film follows Sarah Connor, a waitress living in Los Angeles. One night, a cybernetic organism (Arnold Schwarzenegger) is sent back in time to kill Sarah. A human resistance fighter (Michael Biehn) is also sent back in time, with the intent of saving Sarah from this deadly foe.
Hitchcock is no stranger to innuendo, as was common in that era, but there was something so sophisticated about his approach to 'Rope', and it starts in the first frame.
"Black Widow" has strong female characters but sidelines its title character and serves as a launchpad for her successor, Florence Pugh's Yelena.
Taika Waititi and the cast of Thor: Love and Thunder have been hyping up the gayness of this movie, and while there are queer characters, it's not quite the representation we were hoping for.
It only seems to prove that when the company had their backs against the wall and needed an all pleasing, generic movie that had to make up for The Last Jedi, they chose to sacrifice almost everything that made their main protagonist interesting and that made her stand out as the strong female character that a generation of young movie goers was supposed to look up to. Instead, we were left with a Rey that was so much less than she could have been. And I guess that’s the real story of Rey and The Rise of Skywalker; they could have been so much more, but they were just more of the same.
When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.
