Madame Adele, once a great star of the Paris theatre, has fallen upon hard times. But she allows a young American performer, Marie Duval, to perform as the Madame Adele of old, and both become the darlings of Paris, one again and the other newly-crowned.
Harry O. Hoyt
Director
Betty Compson
Marie Duval / The Young Adele
Tom Ricketts
Maurice Penelli
Armand Kaliz
Count Raoul de Parma
Edith Yorke
Madame Adele
Herbert Rawlinson
Paul Merlin
Wilfrid North
Major Anstruthers
Edward Warren
An Old Beau
Edward Kipling
An Old Beau
August Tollaire
Bearded Old Beau
Max Barwyn
M. Laroux (uncredited)
Ervin Renard
Fabio Merlin (uncredited)
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Unknown Origins promises a cool spin on superheroes and serial killers, but ultimately delivers cheap comedy.
"Peter Pan & Wendy" is a diverse fantasy brought to life and an adventure for all ages.
The film is a documentary focusing on heavy metal in the late 80s and tackles topics like drug addiction, alcoholism, sex, masculinity, and of course, rock and roll. However, this didn’t feel like any documentary I’ve ever seen before.
Suppressed intergenerational family trauma and healing, warm welcome to the Marvel Cinematic Universe team, and Awkwafina's humor really make this film the real MVP.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.