Poverty and the Cycle of Violent Youth in 'City of God'
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.

Willie Ruff, musician, composer, educator, filmmaker, and Yale School of Music alumnus was on the faculty of the Yale School of Music from 1971 until his retirement in 2017. He directed and produced this short film which follows Dizzy Gillespie and Ruff’s musical partner Dwike Mitchell on a tour of key locations in the history of bebop in New York City. Gillespie led the filmmakers to Minton’s Playhouse, Carnegie Hall, the former site of the Savoy Ballroom, and made an unannounced stop at Miles’ Davis home. (Yale Film Archive)
'City of God' depicts the cylindrical cycle of violence that is forced upon the underprivileged.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
If I had truly wished to witness "Guardians of the Galaxy", I would have stayed home to do so. Instead, I went to the IMAX and took in this newest incarnation of one of the most recognized and adapted superheroes in the DC Universe. **Sigh** Let me be clear here. I am NOT saying this is an AWFUL film.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.
The gentle, emotional nuances of Evan’s coming-of-age story would have been so beneficial to have incorporated into the life of a POC character. Showing a Black, Asian or Latino young man that is afforded the space to be vulnerable, flawed and sensitive while driving a compelling and widely-loved narrative would have been a game changer.