
Seeking refuge from a broken marriage, Pilar returns to her childhood home by the sea, only to find it buried beneath shifting dunes. Amid the ruins, she meets Luis and Miguel, two strangers whose paths intertwine with hers. Together, they embark on a transformative journey, uncovering the meaning of love, loss, and the resilience to shape their futures.
Between its problematic nature, its lack of originality, and the senselessness of its violence, Onslaught cannot be recommended in good faith.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
It’s the most loving tribute to cinema and to Ingmar Bergman, set in world that feels so habitable that I felt like only re-watching this for eternity, because of how inviting it looks and feels.
Welcome to Ryan Reynold's world. Dwyane Johnson, Gal Gadot and us are just living in it. Is he acting? I think he is, it's just the question of it's believable anymore.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.