Sick or Evil or Both: “My Friend Dahmer” and the Coverage of White Killers
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?

Based on a novel by Evgeny Zamyatin. In 1920s Petrograd, childless couple Trofim and his wife Sofya adopt their late neighbor’s daughter, thirteen-year-old Ganka, only for Ganka to begin a scandalous affair with her foster father. When Sofya’s despair over the incest drives her to murder Ganka with an axe and conceal the body during a flood, Trofim reports her “missing” to the police, who never recover the corpse. Sofya later becomes pregnant, confesses to the killing, and Trofim, moved by love and guilt, offers to take the blame, though the skeptical investigator doubts any crime occurred.
This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
It is as bad as your remember, and you are fortunate if you've never watched it. Keep it that way!
This horror movie combines elements of horror and babysitting with Black representation.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.