
A priest gets attacks attacked by a group of bandits. Hijinks ensue as the priest seeks his revenge.
One of THE most frustrating trends in the mainstream film industry over the last several decades has been the onset of comedy efforts that seem SO focused on being crude and/or gross-out in all ways possible. That, at least for me, makes them no longer funny.
How do zombie films shine new light in the post-Covid and post-Brexit era?
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
A haunting look at grief, survival, and a mother’s quiet collapse in a world that never gave her room to fall.
If a movie about a strange and crazy day is commercially successful, why not recycle it and double the kookiness quotient? That seems to be the logic behind this followup to Freaky Friday.