Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

The Bats poster

The Bats (1999)

A bat tells his story. He lives near a Mayan temple in a cave with bats of nine different pitches. His mother cares for him, teaching him to echo for worms. But all is not idyllic: his brother dies learning to fly; not everyone gets along (babies can be attacked by bats of other pitches). After three years, his sexual urge materializes, and he mates with many females. God speaks to him from time to time, giving solace and advice. Drinking water, finding worms, and enjoying sex bring happiness. But extinction may loom for his species, and regardless of his wish to live forever, death does await.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


A bat tells his story. He lives near a Mayan temple in a cave with bats of nine different pitches. His mother cares for him, teaching him to echo for worms. But all is not idyllic: his brother dies learning to fly; not everyone gets along (babies can be attacked by bats of other pitches). After three years, his sexual urge materializes, and he mates with many females. God speaks to him from time to time, giving solace and advice. Drinking water, finding worms, and enjoying sex bring happiness. But extinction may loom for his species, and regardless of his wish to live forever, death does await.

Rating:
Genre:Animation
Directed By:Jim Trainor
Written By:
In Theaters:12/2/1999
Box Office:

Runtime:8 minutes
Studio:

Articles You May Like


"Him" (2025) Film Review-The realities of making the grade in professional sports gets a cultism-driven, horror film makeover

"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.

Kirk Fernwood