A repressed philosophy professor, Dr. John Jorissen, is employed at Ridgemont College, a small liberal arts school in the American Midwest. He teaches an introductory course and is writing a book on renowned Dutch philosopher Baruch Spinoza. Haunted by a long-buried transgression and the sudden return of its victim, he descends into a crisis of guilt, desire, and spiritual reckoning.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.
In the film adaptation, director Jon M. Chu turns each musical number into a massive show stopper, with grand set pieces and a wealth of diverse dancers. Yet, in this attempt to show reverence for the people of the Washington Heights barrio, Chu, or maybe more specifically those in charge of casting, left out a crucial part of the community, Afro-Latinos.
An attempt to capture nostalgia that unfortunately just doesn’t work
A brave Indian woman rises from an oppressive background to become an inspired leader for women and men alike around the globe.
Wes Anderson offers a light-hearted comedy in the Middle East centering around Catholic motifs.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
