Albert is the irremovable waiter in a small bistro that has just been sold by his former bosses, Angèle and Léon. Angèle, having forgotten the ten million paid by the notary in a cab, prefers to feign madness rather than incur her husband's wrath; but Léon, in turn, eventually learns what has happened to his money, goes mad and kicks out the honest cab driver who comes to return the lost sum. A phone call from the police station later informs Albert that the money is at his boss's disposal; but as the boss is now in an institution, Albert borrows his identity papers and goes to collect the money - which he pays in full to the pari-mutuel betting house. After a series of shocks and counter-shocks, Angèle and Léon regain their senses enough to watch for the outcome of the race, and share with Albert the final winnings, which are very substantial.
"First Day" is a trans kid slice-of-life tv show that brings desperately needed diversity to coming-of-age stories in mainstream media. Here's a show that get's it right by having a trans actress in a story centered on trans girlhood.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.
Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.
'Yes, God, Yes (2019)' is a coming-of-age tale about a Christian teenage girl discovering her sexuality, the turbulence that comes with it from within herself, and the judgment from those around her.
Emily and Stephanie are back... just add gin and drama.
