The Bamboo Hat 

'Motherless Brooklyn' is a 1950s whodunit made by its star, Edward Norton. Like most detective films in this setting, the cast is mostly white males (with a few notable exceptions).

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.

Knives Out doesn’t just defy the whodunit narrative, it uses the weaknesses to its advantage. It’s well aware of the genre’s faults and tropes

Hope has great characters, inventive ideas, an incredible imagination, a palpable intensity, and numerous other aspects that make it one of the best of the year. 

This feels like the creative team wanted to make a body horror film, but the studio wanted to make another generic blockbuster.

When Eddie Palmer is released from prison he returns home and he meets Sam, soon becoming his primary caregiver.