"Elio" and What Could Have Been
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.

Rachel is a 9-year-old girl who is perfection itself - unless she's crossed or challenged. Several disturbing recent incidents have led Rachel's mother Christine to suspect that her child is a latent murderess. Upon discovering that she herself is the daughter of a convicted killer, Christine becomes convinced that sweet little Rachel is a "bad seed" - an inherent killer who feels no remorse because she doesn't know any better.
Elio could be seen as fantastic piece of representation, showing lonely children who feel ostracized that they are not alone. That is, unless you look behind the curtain.
The history of Hollywood is as ugly as it is beautiful. Most notably absent from Hollywood history are Black-produced films. “They’ve Gotta Have Us” explores the rise of Black cinema.
We sat down with Writer/Director Albert Acosta to discuss his debut short film, (ha-ha), Acosta's foray into narrative cinema, and how his personal experiences have shaped his filmmaking philosophy.
The justice system in the United States of America is supposed to operate as you are deemed innocent until proven guilty. But "When They See Us" shows what happens for Black people is they are deemed guilty until proven innocent.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
Life may find a way, but is it worth testing its fierceness and how far it will go?