On a Fun, but Bumpy, Road with Onward
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.

'69. Peace... love... rock'n'roll... and lots and lots of sex. Those were the days. The music was hot, hard, alive with a sensual erotic message... do it... taste it... feel it... make it burn. Kimberly. Alicyn. Mercedez. The Back Doors. From Venice Beach to the Sunset Strip, they came to play and these girls played hard... rock-hard. They made the kind of music you feel deep in your jeans, body music... a skindance... an electric climax that leave you shaking, sweating and begging for more. The girls are always ready to play... all you have to do is push the right button. Just turn on the stereo, unzip your pants, and turn out the lights... The doors are open.
While the film didn’t hit me as emotionally as I wanted it to, I still enjoyed it. I simply wish there was a little more, particularly with the world building.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
Ultimately the problem with The Bubble is that it plays everything for laughs to get around the audience’s defenses. But it comes off like a privileged white male thinking that ridiculing everyone else equally is the road to equality. And it’s not. And it's definitely not funny to pretend that it is.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
Even if Drive My Car (2021) doesn't win Best Picture, it exudes a palpable sense of dreariness and lifelessness that is further embodied by Yusuke, portrayed tragically by Hidetoshi Nishijima. Check out movie reviews & summary!