Master: The Horror of Deceptive Racial Politics in Academia
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”

Sometimes a babysitter can get real close to the family she works for. Sometimes a girl can develop a crush on the man who employs her. This is the case with Kristina. She's just turned 18 and boy are her juices flowing. Brandi is shocked to find a peeping Tom spying on her while babysitting. And he was jacking off! It's a good thing Mr. Owens rushes home and pulls the man out of the bushes to apologize to Brandi. Cheryl decides to invite her boyfriend over while hanging out with a friend that is babysitting. Leave it up to bored, horny teenagers to wreck a house. Poor little Jesse. Her friends just has an orgy at the house where she's babysitting. Wow, just eighteen years old and Jessie's already a lesbian and had her anal cherry popped!
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
The more biting satire is reserved for those on top of the power structure, such as the police, while those occupying lower levels are given more nuance and likability, even if they operate on the wrong side of the law. This principle gives Deep Cover its heart.
Like all modern societal phenomenons, it started with a meme. This one highlighted that when there’s a mom in a Pixar film, she is almost without fail given striking curves that highlight the bottom half of her body following a minuscule waist. From Elastigirl to the skeletal Mama Imelda, the animation giant’s artists seem to have a fixation on making exaggeratedly curvy maternal characters.
For a young girl who wishes to keep her current traditions, this holiday will end up with a surprise twist.
The Slumber Party Massacre wonderfully combines the suspense of its horror with its commentary on gender, creating a memorable slasher classic that began a horror trilogy entirely written and directed by women.