The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

After leaving her small-town lover, an innocent beauty named Gabriella hits Hollywood with plans to enter a daring and exciting new chapter in her life. And it turns out that stripping at a gentlemen's club is a good start. During her first week strutting her stuff on the runway, a wealthy couple pays her to join them at their estate for a scintillating session of voyeuristic sex that leaves Gabriella both confused and aroused. But Gabriella's real education begins when the man of the house, Stephen, makes her his pet project. When he and his exotic servant Nicole induct Gabriella into their steamy world of carnal indulgence, Gabriella's world changes forever
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
Disney’s Hunchback of Notre Dame is a unique film coming from the same studio that brought us The Little Mermaid and Aladdin. While it does have its silly moments to maintain Disney’s family-friendliness, it also carries themes that stick to audiences years after its release.
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Ultra-violent storytelling has never been my thing, but the issues with Scarface go beyond that. The film perpetuates harmful stereotypes about Latinx immigrants and uses gore and misogyny for shock value that never serves any purpose. The whole venture is frustratingly empty, and left me desiring something more.