Pedro travels from Spain to Argentina for a vacation at his uncle's home, where he meets Maxi again, a childhood friend. Maxi is surprised when he finds out Pedro is gay. When Maxi finds his ex-girlfriend is also there, he asks Pedro to pretend to be his boyfriend to win her back. Pedro accepts the game, unaware of the dangers of playing with love.
Stylish, slow, and somewhat standoffish, Human Resource examines corporate life from the perspective of a female HR employee as she interviews job candidates while also deciding whether to keep her newly discovered pregnancy.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
If you're missing the freedom of travel, explore the world via these international films that put their gorgeous settings in the spotlight.
Darren Aronofsky’s Caught Stealing is a gritty, darkly funny thrill ride through 1998 New York, with Austin Butler delivering a raw, magnetic turn as Hank Thompson—a washed-up ex-ballplayer turned bartender whose life implodes after cat-sitting for his punk neighbor drags him into a violent underworld of gangsters, crooked cops, and chaos. Brutal yet unexpectedly hilarious, the film blends noir grit with midnight-movie absurdity, proving Aronofsky can reinvent himself while Butler cements his status as a true movie star.
As Sexual Assault Awareness Month comes to an end, I’d like to urge viewers and filmmakers to take a long and hard look at how rape is portrayed on screen.
