Opposing the Reviews for "Horse Girl"
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.

Life is not easy for 11-year-old Allan living in South Jutland during the early 1970s. His mentally unstable father frequently threatens suicide and his mother has long since given up. It's up to Allan to keep the family together. When a rival family threatens his father's livelihood, Allan starts committing atrocious acts.
One of the great achievements of this film is its ability to challenge the mind and to force you to try to process information in a different way than you’re used to.
While it is more than established that Halston’s life is far from a fairytale, the narrative suffers as a result of the decision to revolve more around sex and drugs than his artistry, it likely does a disservice to his cultural impact by pulling focus from his achievements.
Greta Garbo, a queer actress playing a real-life queer Queen is the best of both worlds.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
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