Yara (2021): An Unfocused True Crime Narrative
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

A visual-sonic journey over five years in the making meant to expand one's consciousness & emotional capacity via a story filled with hand crafted art. Ranging from stop motion to animation to graphic manipulation to cinematics, the film aims to engage the more 'subtle' functions of the mind.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
The social issues The Half of it takes on are handled well, between the antagonization brought on to Ellie for her race and the conflict that arises from her being gay. Both aspects of her character are built up over the course of the film and don’t seem abrupt or rushed. The film shows racism towards Ellie and her and father in varying levels, from having her schoolmates specifically address her as "Chinese girl” to the fore mentioned way her Dad is treated due to language barriers. The same can be said about Ellie being a lesbian. While she never truly “comes out” in the narrative, that does not undermine her journey of self-discovery from being meaningful. These ideas aren’t thrust upon the viewer in a preachy manor, the scenarios that occur feel believable given the rural setting. The film presents watchers with problems whom those like Ellie may face, and leaves us to sit with them and reflect.
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This HBO mini-series asks why a young white man turned to violence and finds no easy answers. But why do we only ask questions about certain kinds of killers?
Lady Bird (Saoirse Ronan) tells her mother (Laurie Metcalf) that she wants to live through something — something that matters.
Tran Quoc Bao succeeds in telling us a story about martial arts, human decay, and friendship. The originality shown by his filmmaking is admirable and brings fresh air to the classic Chinese martial arts genre.