
In 1930, Louis Martinet, a peaceful sexagenarian, no longer has a long life to live according to the words of his doctor, Leon Galipeau, who sees to take advantage of the very interesting situation of the "future deceased". This one indeed has a small house in Saint-Tropez. Galipeau sniffs the windfall. Following his advice, Martinet agrees to give it in life to the brother of the doctor, Emile, and then rushes back to a health of iron. Worse, he even survives the war. Galipeau, exhausted, decide to use the great means to get rid of the importunce who persists in thwarting their project ...
It’s a cool looking Marvel character right off the page! He’s got these glowing eyes and he just kicks ass everywhere he goes, seemingly impervious to pain.
The 100 imagines a future where humanity's overcome some of its most pervasive forms of prejudice—only to create new ones.
Diversity is incorporated in a way that only aids in a well-rounded conveying of stories through different lenses. The show’s success is a testament to what audiences are craving: authentic stories that broaden the mind and heart.
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
"Hustlers" returns power to groups that are traditionally deprived of it: women, the working class, and sex workers.