Fire Island is a More Inclusive Rom-com than The Thing About Harry
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen

Reveals the shared narratives found in individual and collective ideologies of hate, and how we as a species can overcome them. For six years the filmmaker worked with unprecedented access to some of the most venomous ideologies and violent conflicts of our time including the white supremacist movement, Christian Fundamentalism as an anti-gay platform, Muslim extremism, the Palestinian Intifada, Israeli settlers and soldiers, and US Forces in Iraq. By juxtaposing this verite footage with interviews from leading sociological, psychological, and neurological experts, and interspersing stories of redemption told by former "combatants", the film weaves a tapestry that reveals both the emotional and biological mechanisms which make all of us susceptible to acts and ideologies of hate, and demonstrates how these very same traits make us equally capable of overcoming them.
Fire Island is the more inclusive film of the two with the bi-phobic definition of pansexuality in The Thing About Harry and its obvious lack of colour on screen
Tired of being cooped up in their cages, the critters escape the Australian zoo and try to find their way to the outback.
Thunder Force brings much-needed diversity to the superhero genre. Unfortunately, it's also an uninteresting and unfunny mess.
The May Incluvie Movie Highlights features 3 fantastic coming-of-age films. We explore butterfly-inducing Sneakerella and Crush, and the sadly timely feature - The Fallout, about the after-effects of a school shooting.
This film was filled with great plot points. Unfortunately, they all contradicted each other and clashed. Had the premise of Awake been more consistent and accurately portrayed the real world aspect, I think this could have been an extreme success.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.