Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

trailer banner
The Alligator People poster

The Alligator People (1959)

Under therapeutic hypnosis, a seemingly well-adjusted young woman tells a fantastic story, verified by lie detector, of her forgotten marriage to a man who disappeared on the day of their honeymoon, and of her search for him which takes her to a lonely mansion in a remote section of swampland tenanted by snakes, alligators, a drunken one-armed lout, a mysterious doctor, and a cold-hearted elderly woman who lives alone in a brooding manse.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Under therapeutic hypnosis, a seemingly well-adjusted young woman tells a fantastic story, verified by lie detector, of her forgotten marriage to a man who disappeared on the day of their honeymoon, and of her search for him which takes her to a lonely mansion in a remote section of swampland tenanted by snakes, alligators, a drunken one-armed lout, a mysterious doctor, and a cold-hearted elderly woman who lives alone in a brooding manse.

Rating:NR
Genre:Science Fiction, Horror, Mystery
Directed By:Roy Del Ruth
Written By:Orville H. Hampton
In Theaters:7/16/1959
Box Office:

Runtime:74 minutes
Studio:Associated Producers (API)

Articles You May Like


Review: The Roses – Marriage and the Sweet Taste of Revenge

The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.

Nilufer Ozmekik