The Alley Tramp (1968)

Minus Zero is better than the previous film in some ways, and inferior in other ways. 

The documentary depicts the indigenous people of Mexico with sublime reverence, highlighting a generational harmony with the land.

Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.

Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.

When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.

Dune has stunning visuals, a striking soundtrack, and great performances. But it has issues everywhere from its pacing, to its story, to its diverse representation.